Saxon, Hell, Fire And Damnation Review

Saxon, the legendary architects of the New Wave of British Heavy Metal (NWOBHM), has once again unleashed a monumental addition to their storied discography with Hell, Fire And Damnation. Released on January 19th, 2024, this album marks their 24th studio venture, a testament to the band’s enduring influence and unwavering dedication to the genre. With an illustrious career that has spanned over four decades, Saxon continues to embody the spirit and power of heavy metal, blending historical narratives, mythological themes, and sheer musical prowess into a cohesive and compelling whole. Featuring the distinct voice of Biff Byford, the relentless rhythm section of Nigel Glockler and Nibbs Carter, and the twin guitar assault of Doug Scarratt and Brian Tatler, Hell, Fire And Damnation showcases the band’s ability to evolve while staying true to their roots. Saxon’s latest opus, Hell, Fire And Damnation, is heavy metal with a deep focus on thematic depth, musicality, composition, and its position within the broader context of heavy metal’s history.

The ten songs on the album have a sonic odyssey that traverses through epochs, legends, and the eternal battle between good and evil. The opening track, “The Prophecy,” narrated by the iconic Brian Blessed, sets a grandiose stage, inviting listeners into a world where history and mythology intertwine. Songs like the titular “Hell, Fire And Damnation” weave complex narratives, touching on everything from Marie Antoinette to the Salem witch trials. This thematic ambition speaks to Saxon’s mastery in crafting songs that are both musically engaging and rich in storytelling, offering a multi-layered experience that rewards listeners with each play.

At the heart of Hell, Fire And Damnation lies Saxon’s unwavering command over their musical craft. The dual guitar onslaught of Doug Scarratt and Brian Tatler provides a foundational pillar for the album, with tracks like “Madame Guillotine” showcasing their ability to meld melodic harmony with raw power. Meanwhile, the rhythm section of Nigel Glockler (drums) and Nibbs Carter (bass) drives the album forward with precision and ferocity, particularly evident in the relentless pace of “Fire and Steel.” Biff Byford’s vocals, richer and more potent than ever, soar above this robust instrumentation, bridging the thematic and musical elements with his iconic timbre. This album exemplifies Saxon’s ability to evolve their sound while staying true to the roots of heavy metal, blending traditional and modern elements to create something genuinely timeless.

In the broader narrative of heavy metal, Hell, Fire And Damnation shows the band’s enduring vitality of the New Wave of British Heavy Metal (NWOBHM). As one of the architects of this genre, Saxon has contributed to its foundations and continues to shape its evolution. This album, their 24th, is a testament to their role as both pioneers and innovators. Songs like “Pirates of the Airwaves” pay homage to their history while engaging with contemporary themes and sounds, illustrating the band’s unique ability to honor their past while forging ahead.

Hell, Fire And Damnation shows Saxon’s unwavering relevance in the heavy metal genre. Through its rich thematic exploration, high musicality, and acknowledgment of its roots, the album secures Saxon’s legacy as a band that influenced the sound of heavy metal and continues to lead its charge into the future with a profound, powerful, and thoroughly exhilarating listening experience.